Walt Whitman
Walter Whitman Jr. (May 31, 1819 – March 26, 1892) was an American poet, essayist, and journalist. He is considered one of the most influential poets in American literature. Whitman incorporated both transcendentalism and realism in his writings and is often called the father of free verse. His work was controversial in his time, particularly his 1855 poetry collection Leaves of Grass, which was described by some as obscene for its overt sensuality.
Whitman was born in Huntington on Long Island and lived in Brooklyn as a child and through much of his career. At the age of 11, he left formal schooling to go to work. He worked as a journalist, a teacher, and a government clerk. Whitman's major poetry collection, Leaves of Grass, first published in 1855, was financed with his own money and became well known. The work was an attempt to reach out to the common person with an American epic. Whitman continued expanding and revising Leaves of Grass until he died in 1892.
During the American Civil War, he went to Washington, D.C., and worked in hospitals caring for the wounded. His poetry often focused on both loss and healing. On the assassination of Abraham Lincoln, whom Whitman greatly admired, he authored two poems, "O Captain! My Captain!" and "When Lilacs Last in the Dooryard Bloom'd", and gave a series of lectures on Lincoln. After suffering a stroke towards the end of his life, Whitman moved to Camden, New Jersey, where his health further declined. When he died at the age of 72, his funeral was a public event.
Whitman's influence on poetry remains strong. Art historian Mary Berenson wrote, "You cannot understand America without Walt Whitman, without Leaves of Grass... He has expressed that civilization, is 'up to date,' as he would say, and no student of the philosophy of history can do without him." Modernist poet Ezra Pound called Whitman "America's poet... He is America."
Life and work
Early life
Whitman was born on May 31, 1819, in West Hills, New York, the second of nine children of Quaker parents Walter and Louisa Van Velsor Whitman, of English and Dutch descent respectively. He was immediately nicknamed "Walt" to distinguish him from his father. At the age of four, Whitman moved with his family from Huntington to Brooklyn, living in a series of homes, in part due to bad investments. Whitman looked back on his childhood as generally restless and unhappy, given his family's difficult economic struggles. One happy moment that he later recalled was when he was lifted in the air and kissed on the cheek by the Marquis de Lafayette during a celebration of the setting of the Brooklyn Apprentices' Library's Cornerstone by Lafayette in Brooklyn on July 4, 1825. Whitman later worked as a librarian at that institution.
At the age of 11, Whitman ended his formal schooling and sought employment to assist his family, which was struggling economically. He was an office boy for two lawyers and later was an apprentice and printer's devil for the weekly Long Island newspaper the Patriot, edited by Samuel E. Clements. There, Whitman learned about the printing press and typesetting. He may have written "sentimental bits" of filler material for occasional issues. Clements aroused controversy when he and two friends attempted to dig up the corpse of the Quaker minister Elias Hicks to create a plaster mold of his head. Clements left the Patriot shortly afterward, possibly as a result of the controversy.
Early career
The following summer Whitman worked for another printer, Erastus Worthington, in Brooklyn. His family moved back to West Hills, New York, on Long Island in the spring, but Whitman remained and took a job at the shop of Alden Spooner, editor of the leading Whig weekly newspaper the Long-Island Star. While at the Star, Whitman became a regular patron of the local library, joined a town debating society, began attending theater performances, and anonymously published some of his earliest poetry in the New York Mirror. At the age of 16 in May 1835, Whitman left the Star and Brooklyn. He moved to New York City to work as a compositor though, in later years, Whitman could not remember where. He attempted to find further work but had difficulty, in part due to a severe fire in the printing and publishing district, and in part due to a general collapse in the economy leading up to the Panic of 1837. In May 1836, he rejoined his family, now living in Hempstead, Long Island. Whitman taught intermittently at various schools until the spring of 1838, though he was not satisfied as a teacher.
After his teaching attempts, Whitman returned to Huntington, New York, to found his newspaper, the Long Islander. Whitman served as publisher, editor, pressman, and distributor and even provided home delivery. After ten months, he sold the publication to E. O. Crowell, whose first issue appeared on July 12, 1839. There are no known surviving copies of the Long Islander published under Whitman. By the summer of 1839, he found a job as a typesetter in Jamaica, Queens, with the Long Island Democrat, edited by James J. Brenton. He left shortly thereafter and made another attempt at teaching from the winter of 1840 to the spring of 1841. One story, possibly apocryphal, tells of Whitman's being chased away from a teaching job in Southold, New York, in 1840. After a local preacher called him a "Sodomite", Whitman was allegedly tarred and feathered. Biographer Justin Kaplan notes that the story is likely untrue because Whitman regularly vacationed in the town thereafter. Biographer Jerome Loving calls the incident a "myth". During this time, Whitman published a series of ten editorials, called "Sun-Down Papers—From the Desk of a Schoolmaster", in three newspapers between the winter of 1840 and July 1841. In these essays, he adopted a constructed persona, a technique he would employ throughout his career.
Whitman was born in Huntington on Long Island and lived in Brooklyn as a child and through much of his career. At the age of 11, he left formal schooling to go to work. He worked as a journalist, a teacher, and a government clerk. Whitman's major poetry collection, Leaves of Grass, first published in 1855, was financed with his own money and became well known. The work was an attempt to reach out to the common person with an American epic. Whitman continued expanding and revising Leaves of Grass until he died in 1892.
During the American Civil War, he went to Washington, D.C., and worked in hospitals caring for the wounded. His poetry often focused on both loss and healing. On the assassination of Abraham Lincoln, whom Whitman greatly admired, he authored two poems, "O Captain! My Captain!" and "When Lilacs Last in the Dooryard Bloom'd", and gave a series of lectures on Lincoln. After suffering a stroke towards the end of his life, Whitman moved to Camden, New Jersey, where his health further declined. When he died at the age of 72, his funeral was a public event.
Whitman's influence on poetry remains strong. Art historian Mary Berenson wrote, "You cannot understand America without Walt Whitman, without Leaves of Grass... He has expressed that civilization, is 'up to date,' as he would say, and no student of the philosophy of history can do without him." Modernist poet Ezra Pound called Whitman "America's poet... He is America."
Life and work
Early life
Whitman was born on May 31, 1819, in West Hills, New York, the second of nine children of Quaker parents Walter and Louisa Van Velsor Whitman, of English and Dutch descent respectively. He was immediately nicknamed "Walt" to distinguish him from his father. At the age of four, Whitman moved with his family from Huntington to Brooklyn, living in a series of homes, in part due to bad investments. Whitman looked back on his childhood as generally restless and unhappy, given his family's difficult economic struggles. One happy moment that he later recalled was when he was lifted in the air and kissed on the cheek by the Marquis de Lafayette during a celebration of the setting of the Brooklyn Apprentices' Library's Cornerstone by Lafayette in Brooklyn on July 4, 1825. Whitman later worked as a librarian at that institution.
At the age of 11, Whitman ended his formal schooling and sought employment to assist his family, which was struggling economically. He was an office boy for two lawyers and later was an apprentice and printer's devil for the weekly Long Island newspaper the Patriot, edited by Samuel E. Clements. There, Whitman learned about the printing press and typesetting. He may have written "sentimental bits" of filler material for occasional issues. Clements aroused controversy when he and two friends attempted to dig up the corpse of the Quaker minister Elias Hicks to create a plaster mold of his head. Clements left the Patriot shortly afterward, possibly as a result of the controversy.
Early career
The following summer Whitman worked for another printer, Erastus Worthington, in Brooklyn. His family moved back to West Hills, New York, on Long Island in the spring, but Whitman remained and took a job at the shop of Alden Spooner, editor of the leading Whig weekly newspaper the Long-Island Star. While at the Star, Whitman became a regular patron of the local library, joined a town debating society, began attending theater performances, and anonymously published some of his earliest poetry in the New York Mirror. At the age of 16 in May 1835, Whitman left the Star and Brooklyn. He moved to New York City to work as a compositor though, in later years, Whitman could not remember where. He attempted to find further work but had difficulty, in part due to a severe fire in the printing and publishing district, and in part due to a general collapse in the economy leading up to the Panic of 1837. In May 1836, he rejoined his family, now living in Hempstead, Long Island. Whitman taught intermittently at various schools until the spring of 1838, though he was not satisfied as a teacher.
After his teaching attempts, Whitman returned to Huntington, New York, to found his newspaper, the Long Islander. Whitman served as publisher, editor, pressman, and distributor and even provided home delivery. After ten months, he sold the publication to E. O. Crowell, whose first issue appeared on July 12, 1839. There are no known surviving copies of the Long Islander published under Whitman. By the summer of 1839, he found a job as a typesetter in Jamaica, Queens, with the Long Island Democrat, edited by James J. Brenton. He left shortly thereafter and made another attempt at teaching from the winter of 1840 to the spring of 1841. One story, possibly apocryphal, tells of Whitman's being chased away from a teaching job in Southold, New York, in 1840. After a local preacher called him a "Sodomite", Whitman was allegedly tarred and feathered. Biographer Justin Kaplan notes that the story is likely untrue because Whitman regularly vacationed in the town thereafter. Biographer Jerome Loving calls the incident a "myth". During this time, Whitman published a series of ten editorials, called "Sun-Down Papers—From the Desk of a Schoolmaster", in three newspapers between the winter of 1840 and July 1841. In these essays, he adopted a constructed persona, a technique he would employ throughout his career.
Whitman moved to New York City in May, initially working a low-level job at the New World, working under Park Benjamin Sr. and Rufus Wilmot Griswold. He continued working for short periods for various newspapers; in 1842 he was editor of the Aurora and from 1846 to 1848 he was editor of the Brooklyn Eagle. While working for the latter institution, many of his publications were in the area of music criticism, and it was during this time that he became a devoted lover of Italian opera through reviewing performances of works by Bellini, Donizetti, and Verdi. This new interest had an impact on his writing in free verse. He later said, "But for the opera, I could never have written Leaves of Grass."
Throughout the 1840s, Whitman contributed freelance fiction and poetry to various periodicals, including Brother Jonathan magazine edited by John Neal. Whitman lost his position at the Brooklyn Eagle in 1848 after siding with the free-soil "Barnburner" wing of the Democratic party against the newspaper's owner, Isaac Van Anden, who belonged to the conservative, or "Hunker", wing of the party. Whitman was a delegate to the 1848 founding convention of the Free Soil Party, which was concerned about the threat slavery would pose to free white labor and northern businessmen moving into the newly colonized western territories. Abolitionist William Lloyd Garrison derided the party philosophy as "white manism".
In 1852, he serialized a novel titled Life and Adventures of Jack Engle in six installments of New York's The Sunday Dispatch. In 1858, Whitman published a 47,000-word series called Manly Health and Training under the pen name Mose Velsor. He drew the name Velsor from Van Velsor, his mother's family name. This self-help guide recommends beards, nude sunbathing, comfortable shoes, bathing daily in cold water, eating meat almost exclusively, plenty of fresh air, and getting up early each morning. Present-day writers have called Manly Health and Training "quirky", "so over the top", "a pseudoscientific tract", and "wacky".
Health decline and death
After suffering a paralytic stroke in early 1873, Whitman was induced to move from Washington to the home of his brother—George Washington Whitman, an engineer—at 431 Stevens Street in Camden, New Jersey. His mother, having fallen ill, was also there and died that same year in May. Both events were difficult for Whitman and left him depressed. He remained at his brother's home until buying his own in 1884. However, before purchasing his home, he spent the greatest period of his residence in Camden at his brother's home on Stevens Street. While in residence there he was very productive, publishing three versions of Leaves of Grass among other works. He was also the last fully physically active in this house, receiving both Oscar Wilde and Thomas Eakins. His other brother, Edward, an "invalid" since birth, lived in the house.
When his brother and sister-in-law were forced to move for business reasons, he bought his own house at 328 Mickle Street (now 330 Dr. Martin Luther King Jr. Boulevard). First taken care of by tenants, he was completely bedridden for most of his time in Mickle Street. During this time, he began socializing with Mary Oakes Davis—the widow of a sea captain. She was a neighbor, boarding with a family on Bridge Avenue just a few blocks from Mickle Street. She moved in with Whitman on February 24, 1885, to serve as his housekeeper in exchange for free rent. She brought with her a cat, a dog, two turtledoves, a canary, and other assorted animals. During this time, Whitman produced further editions of Leaves of Grass in 1876, 1881, and 1889.
While in South Jersey, Whitman spent a good portion of his time in the then-quiet pastoral community of Laurel Springs, between 1876 and 1884, converting one of the Stafford Farm buildings to his summer home. The restored summer home has been preserved as a museum by the local historical society. Part of his Leaves of Grass was written here, and in his Specimen Days, he wrote of the spring, creek, and lake. To him, Laurel Lake was "the prettiest lake in either America or Europe".
As the end of 1891 approached, he prepared a final edition of Leaves of Grass, a version that has been nicknamed the "Deathbed Edition". He wrote, "L. of G. at last complete—after 33 years of hackling at it, all times & moods of my life, fair weather & foul, all parts of the land, and peace & war, young & old." Preparing for death, Whitman commissioned a granite mausoleum shaped like a house for $4,000 and visited it often during construction. In the last week of his life, he was too weak to lift a knife or fork and wrote: "I suffer all the time: I have no relief, no escape: it is monotony—monotony—monotony—in pain."
Walt Whitman died on March 26, 1892, at his home in Camden, New Jersey at the age of 72. An autopsy revealed his lungs had diminished to one-eighth of their normal breathing capacity, a result of bronchial pneumonia, and that an egg-sized abscess on his chest had eroded one of his ribs. The cause of death was officially listed as "pleurisy of the left side, consumption of the right lung, general miliary tuberculosis, and parenchymatous nephritis". A public viewing of his body was held at his Camden home; more than 1,000 people visited in three hours. Whitman's oak coffin was barely visible because of all the flowers and wreaths left for him. Four days after his death, he was buried in his tomb at Harleigh Cemetery in Camden. Another public ceremony was held at the cemetery, with friends giving speeches, live music, and refreshments. Whitman's friend, the orator Robert Ingersoll, delivered the eulogy. Later, the remains of Whitman's parents and two of his brothers and their families were moved to the mausoleum. His brain was donated to the American Anthropometric Society in Philadelphia, but it was accidentally destroyed.
Writing
Whitman's work broke the boundaries of poetic form and is generally prose-like. Its signature style deviates from the course set by his predecessors and includes "idiosyncratic treatment of the body and the soul as well as of the self and the other." It uses unusual images and symbols, including rotting leaves, tufts of straw, and debris. Whitman openly wrote about death and sexuality, including prostitution. He is often labeled the father of free verse, though he did not invent it.
Poetic theory
Whitman wrote in the preface to the 1855 edition of Leaves of Grass: "The proof of a poet is that his country absorbs him as affectionately as he has absorbed it." He believed there was a vital, symbiotic relationship between the poet and society. He emphasized this connection especially in "Song of Myself" by using an all-powerful first-person narration. An American epic, it deviated from the historic use of an elevated hero and instead assumed the identity of the common people. Leaves of Grass also responded to the impact of rapid urbanization in the United States on the masses.
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